Musical IntervalsIn this lesson we're going to learn about music intervals. A music interval is the distance between two notes. We'll divide the musical intervals to two groups. The first one is the melodic interval group and the second is the harmonic interval group. When are we Going to Use the Different Intervals?
A melodic musical interval is being created when you play two notes one after the other successively. A harmonic interval is being created when the notes are being played in the same time (simultaneously) We use the musical intervals for a few important issues in music.
The first one is to acknowledge them so that when we hear a melody we could tell between its different melodic intervals and improve our ability to play melodies by ear.
More than that we could then build the different scales which are built upon sequences of intervals and then understand the basics of harmony or logic in a melodic line.
Further more we could build the different piano chords when we put two or three (or more) musical intervals one upon the other.
Last but not least we'll learn about the relationship between the musical intervals since some are dissonant (creating tension) leading to more consonant ones.
But let's take it one step at a time.
In music we measure the musical intervals according to the number of half tones between two notes. The distance between each key and its closest upper or lower key is a half tone which is the smallest interval used in Western music. Now if you'll look at the piano you'll realize that the distance between a white key and a black would be half a tone accepts from two places. The distance between E and F and B and C is half a tone as well since there isn't a black key between them. Introducing the musical intervals
When we measure a musical interval we will always start with the lower note of the interval going to the higher note. We'll count the lower note as one. Some are describes as major intervals (M) or minor ones (m). Other are perfect (P) When we raise an interval in half a tone it becomes Augmented (A) and when we lower it in a half a tone we name it Diminished (D).
Unisons
![]() The song Twinkle, Twinkle little star begins with a melodic unison. The Unison doesn't function as a harmonic musical interval since there's no space between the first note and the second note. Seconds The Minor Second - When you play a note and then play the next note half a tone higher or lower (No matter if it's a white key or a black key) you play a melodic interval of a minor second. If you play these two notes together you'll hear the harmonic interval which is being created sounds really unpleasant and dissonant. ![]() The song "Are You Sleeping" also known as "Frere Jacques" starts with a major second going up. Thirds
![]() Just like in the song "The Impossible Dream" or "So long, farewell" from the sound of music (going up). As a harmonic interval we treat this minor interval as a mellow one. It's not for nothing that we're going to base all the minor chords on this minor third interval.
Just like in the song "When the saints go marching in" or "Halls of Montezuma". When you play a major third as a harmonic interval you'll realize it sounds quite cheerful or optimistic (I must say that reacting to sound is rather subjective yet some standards can be roughly made). Therefore later when we'll discuss major piano chord we'll see that they're based on the harmonic major third interval. Perfect Fourth
![]() Play a note and then play the next one two and a half tone higher and you'll get a fourth just like in the song: "Here comes the Bride". As I mentioned before this interval was often being sang in the Gregorian music. When my students hear the harmonic interval of a fourth they think of church bells. Tritone - Raised Fourths - Diminished Fifth
The melodic raised fourth is the most dissonant interval in western music. Maybe that's why the siren of an ambulance would sound a raised fourth interval in case of emergency. A melodic raised fourth (or a diminished fifth, depends on how you look at it) are created when you play a note and then the next tone 3 tones higher. Later as we discuss voice leading we'll learn when we chose to name this three tone interval as a raised fourth or a diminished fifth. It has to with the way this dissonant interval is being solved.
The song "Maria from west side story is starting with a raised fourth. This harmonic interval is called tritone (three tones) which is the most dissonant chord in western music. Perfect Fifth
The harmonic interval of a perfect fifth sound like church bells as well. Some students of mine mix the pure sound of the perfect fifth with the sound of the perfect fourth. That's logical since when you inverse a fifth down you'll get a perfect fourth. Once you're ear will be able to distinguish between the two different note of the interval you'll be able to clearly tell between them. Sixths
The minor sixth - is the distance between a note and its successive note played four tones higher. This melodic interval sounds quite mellow as well as the minor third. Well, both of them are minor intervals so that explains that... ![]() The song "Black Orpheus" starts with a minor sixth.
Sevenths
![]() The song Somewhere from West Side Story starts with a minor seventh as well so you could use that if you're not an Abba fan. As a harmonic interval this interval is a dissonant one we'll see how to solve the tension later.
![]() We're going to see this harmonic interval in major seventh chords later on... Perfect Eights
The two notes you're playing are the same only the second note is played in a higher register on the piano.
The song "Somewhere over the rainbow" from the wizard of Oz starts with a melodic interval of an octave. Harmonically speaking the interval of an octave sounds rather empty since it contains of one note, only played in two registers. We're done with the first part of this musical intervals lesson. |
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